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"Every time I daydream, the Cordials are my soundtrack. The film was directed by John Whitesell and starring Martin Lawrence reprising his role as FBI agent Malcolm Turner. ".delicious sweetness by empowered, take-no-shite ladies." -Zocalo magazine Big Mommas: Like Father, Like Son is a 2011 American crime comedy film and the third and final installment in the Big Momma film series, which is a sequel to 2000's Big Momma's House and 2006's Big Momma's House 2. "The Cordials make me want to eat more steak and wear cologne." -Dante Rosano Posing as Big Momma and Charmaine, they must. equal parts grace and grit, and exquisite blend that will leave your eyelashes a-flutter and your toes tapping." -Tucson Weekly FBI agent Malcolm Turner and his 17-year-old son, Trent, go undercover at an all-girls performing arts school after Trent witnesses a murder. ".the Cordials draw from many styles, sounding like a merry blend of a spaghetti Western soundtrack and Best Coast. RIYL Sleater Kinney, Feist, the Pretenders The Cordials are Laura Kepner-Adney (Silver Thread Trio), Courtney Robbins (Seashell Radio), Cristina Williams (the Modeens), and Winston Watson (Greyhound Soul, Saint Maybe). Their debut album, 'Not Like Yesterday,' weaves across genres over the ten original tracks, with special guests Marco Rosano and Fen Ikner contributing their talents along the way. With an expanded, collaborative set that ranges from surf to pop to soft, folky country, the Cordials have developed a broad draw in Tucson's music scene.
Over the next year, three people agreed to play them with her. In early 2011, Laura Kepner-Adney wrote four songs in four days. A regular Tucson supergroup, the band is comprised of members of Silver Thread Trio, Seashell Radio, the Modeens, and Saint Maybe, and manages to combine elements of rock, pop, surf, and country into a seamless blend of harmony and chaos. Other gags stem from classes in ballet, art and the like where Big Momma and Charmaine labor to maintain their poses.Since Zocalo magazine first outed them as a band in July of 2011 (before they had played their first show), the Cordials have been inching their way into the Tucson music scene's ears and hearts.
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This sets up a series of gag situations where the school’s hulking security guard develops a crush on Turner’s Big Momma while Charmaine, Trent’s nom de femme, develops a warm, womanly friendship with a beauteous singer-songwriter, Haley ( Jessica Lucas). Jackson as his stepson Trent, come to an Atlanta-area girls school as a house mother and her beefy young niece to hide out from three criminals even as they search for the computer flash drive that will put these three stooges behind bars forever. The men, these being Lawrence’s Malcolm Turner and comedian-actor Brandon T. In the end, the story can endure no scrutiny because little makes sense beginning with an opening sequence where the FBI agent commits major felonies simply to get a letter from a postman about to deliver it anyway. Jackson) go deep undercover at an all-girl. After witnessing a murder, FBI agent Malcolm Turner (Lawrence) and his stepson (Brandon T. You get two Big Mommas for the price of one in Big Mommas: Like Father, Like Son, where Martin Lawrence’s FBI agent, forever undercover as a girth-challenged woman, passes the torch no, make. in English from Yale and MFA from Columbia University, do you suppose he had this in mind? Get even more Big Momma in this special extended cut of Big Mommas: Like Father, Like Son Martin Lawrence returns in his biggest and most outrageous comedy role as Big Momma, a wisecracking Southern granny with tons of hilarious tricks up her sleeve.
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It no doubt would be much funnier to witness the story sessions where director John Whitesell, who helmed the first sequel, and screenwriter Matthew Fogel were confronted with the challenge of figuring out how to get the FBI’s oddest agent into women’s clothes for a third time.
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But credit the Martin Lawrence movie series at least with this: He’s a lot funnier than Tyler Perry’s Medea. Doubtfire and Dame Edna Everage, not to mention Josephine and Daphne in Some Like It Hot. Not that Uncle Miltie didn’t have better gags. So Fox should see decent, critic-proof business for a couple of weeks. The moral here is if you slap a dress on a guy, they will come. While not likely to increase the Big Momma audience, the movie isn’t likely to disappoint either if one is prone to love men-in-drag comedy, which reaches back even before Milton Berle.
This is not a case of doubling the fun so much as an anxious attempt to revive a franchise running out of gas. You get two Big Mommas for the price of one in Big Mommas: Like Father, Like Son, where Martin Lawrence’s FBI agent, forever undercover as a girth-challenged woman, passes the torch - no, make that a fat suit and wig - to a stepson who joins him in drag.
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